pocket money returns for their third release and they are back with what could easily be their strongest output yet. just hitting the ripe old age of one, and a couple of releases in, this label has found its stride nicely and starting to turn heads in the scene. taking the spotlight for the deep basics ep is the producer keepin soul, who may only have a handful of releases to his name but puts himself in the spotlight with this deep and meaningful pocket money release. this is a beautifully dusty sounding record, it opens up doing exactly what it says on the tin deep basics and doing them well. this a1 is all about hypnotic grooves undulating against the drive of crisp, warm and exciting percussive grooves.

asa moto are two mysterious producers from belgium who have been honing their sound at deewee for a number of months, delivering with their first release two futuristic pieces for the slowed down dance floor.

hypercolour proudly announce the latest long player from uk stalwart, ed dmx aka dmx krew, the visionary british electronic producer who has been responsible for a slew of excellent releases for labels like rephlex, spectral sound, permanent vacation and his own breakin records and fresh up records since the mid 1990s. you exist is dmx krews debut appearance on hypercolour, and as expected the record features nine tracks of beautifully crafted, melodic electronic sounds.

mono junks dum records has been dictating trends in the world of minimalistic techno since the 1990s, and its 34th release is as special as any. this one comes from label boss kimmo rapatti aka mono junk vs mesak, who is better known as fellow finn, tatu metsätähti, aka one half of mr velcto fastener and someone who has released on dexter & steffis klakson. together the pair serve up three mixes of their jam and an additional track. title track deep in my mind is a paranoid techno cut with freaky vocal riffs repeating the title as gurgling synth lines and sleek drums rumble below. twitchy synths and high pressure perc add to the hypnotic effect, and overall its easy to see this one making for some perfectly weird dance floor moments. the mix by mono junk is completely the opposite: in his hands it is a beat-less, serene and beautifully styled electro cut that takes you deep into brain soothing space. the electro mind version is then a full on electro jam, with plenty of aqueous synths and fluid lines all squiggling along in classic detroit style. final track sysdrum is back to the raw, with angsty drum lines, crisp and slapping snares and oodles of reverb all making for a brain frying trip.

wegen starker nachfrage erscheint die lp des texanischen trios khruangbin nun auch auf schwarzem vinyl, nachdem die erste limitierte weisse auflage vergriffen ist.

oscar mulero is the man behind our release number 37, helped on remix duties by two of the main members of our team: architectural and tensal, who offer two different versions of oscars originals.

snts records has released 6 eps arranged as parts of two trilogies, chapters and scenes, and snts s debut album proper, the rustling of the leaves. a couple other artists have also contributed remixes, with shifted appearing on scene iii and polar inertia set to surface again on the album. next, snts records will expand its reach with solo positive centre, who has released on our circula sound and stroboscopic artefacts.

ahead of him releasing a full length album on mos in 2016, key label artist marcoantonio spaventi is teasing us with a three track prelude ep. spaventi hails from italy, but is based in amsterdam, and is someone who deals in misty, chicago referencing house sounds that are loaded up with a real sense of analogue jack. as well as on mos he releases on slow motion, most excellent ny and pizzico records, and in summer 2015 he put out a leftfield electro, italo, soundtrack and disco full length, viaggi, that showed he has great range in the studio.

crunch 22 takes a major shift from their debut album, expanding their musical breadth into a full length concept lp, based on lewis carroll’s masterpiece of psychedelic literature – “alice’s adventures in wonderland”. keeping raw groove as the core of their music, the band’s musical language now grasps some further out melodies, abstract harmonies as well as thick layers of swirling samples, influenced by musique concrète no less than it is by modern cut-n-paste turntablism.
the album is released by tel-aviv-based boutique label audio montage on an exclusive 180g limited edition vinyl, in a beautiful gatefold sleeve illustrated by street artist jack t.m.l (shahaf ram).

mini compilation showcasing various strains of acid and electro. art mechanical s junq, showcases his futuristic acid electro on 303 days on kepla-47c, syncom data further the acid heat with unphazd (strings attached mix). on the flip we have a rare outing from microthol, who lay down mod_electro_mix4, a chiming stripped back cut that reminisces of the early noughties. finally etcher’s departure brings his quirky acid to close off the ep

love notes from brooklyn is proud to present a brand new and promising young american artist in the form of tape hiss. these three moody and emotive tracks fit in perfectly with the label sound love notes has been developing over their last few release. the panic in needle park, the clear standout track, begins the ep with gloomy synth washes at a chugging, pitched down speed. that track is then ably reworked by fellow brooklynite, willie burns, of lies and wt records, who breaks the beat up for a stunted and unique reinterpretation. on the flip, love is a dog from hell brings a little acid to the proceedings, and traces to nowhere closes it out on consitantly dark and moody note. literates will note the bukowski references throughout. another winner for this label

bad taste recordings hit 2016 in severe kinetic style with a fresh pair of tracks launching the identity of malux, the new neurofunk-focussed moniker of established bass producer skope (inspected). with turbine and fonk the agenda is clear – energetic, funk-fuelled dnb driven by detailed low-frequency design and a boisterous rave vibe.
turbine carries with it a stripped aesthetic, with a percussive pattern driven by the snare and wonky plucked synth work. this is heads-down, bassface material for ravers to get into step to.
fonk on the flip hits a cheeky upbeat tone, switching slickly between bass textures punctuated by staccato sonic fragments.
with support from scene titans such as andy c, the upbeats and radio play from friction on bbc r1 and crissy criss on kiss fm, malux has immediately caught the attention of those who know. bad taste hits the nail on the head again, introducing another name with a big destiny into the halls of dnb.

borrowed identity, the man who makes music non stop, when not travelling the world! borrowed identity, the man who lives in the geman black forest, maybe thats why his music sounds so black! borrowed identity, the man who already released two superb eps on quintessentials and wont stop! borrowed identity, the man who enjoys nature as much as playing techno, house or disco!

repress . dungeon meat are back after 2 well received ep s from point g and mr g with some serious claw to the floor club weapons. welcoming another new addition to their brigade of beat butchers, it s the dutch producer and dj known as larry de kat who drops a fine feline selection for his purrr-versions ep. four killer tracks which showcase his diversity and perversity in the studio. theres no doubt that this selection will do the damage on the dance floor and bring even more attention to this undeniable talent.

growin music is a new experimental & atmospheric label who s third release comes courtesy of the uk duo 76 79.

rushmore is a 1998 soundtrack to the wes anderson film of the same name. the songs mostly blend raw, adolescent urges and insecurity with an awkward grace, composed primarily of popular music from the 1960s. continuing with its soundtrack initiative, ume will be reissuing this classic soundtrack back on vinyl for the first time in years.
the 1998 wes anderson film, rushmore, starred bill murray, jason schwartzman, olivia williams, seymour cassel, and luke wilson. the soundtrack was scored by mark mothersbaugh and also features music by the kinks, cat stevens, the who, john lennon, zoot sims, faces, and more.

counter pulse presents number 15 in it s limited vinyl series with a release by berlin artist myk derill, who delivers three tracks made up from his trademark sound of raw, futuristic atmospheres and heavily dubbed-out techno grooves. the title track -mess- also receives a superbly deep work-out by roberto from fachwerk. this will be a strictly vinyl only release for a while, with the digital versions appearing later in the year, but for now, full respect to the vinyl guys, you get to spin this first !

grow label returns with its ninth offering, an ep of four choice original works, each a very deep and specific imagination alive with detail. the artist creator this time is plantae who offers his first vinyl ep and it is altogether a refreshingly original experience. plantaes tracks are characterised by momentous baselines underlying layer upon layer of organic texture and intricate primal percussion, which come together for a sound quite otherworldly. descriptive in nature and so filled with peculiarity *tigshameran* is an album and experience hard to grasp, but this is one of its charms, and its originality will keep you coming back, time and again discovering new moments of intrigue. a very respectable debut record from plantae!

*sagan om lilla vargen* is a musical drama created by the quartet wobz. its a tale of the little wolf who is forced to move out of the woods as it is about to get renovated. the journey to the city makes for an adventure in sounds as the citys noise and stress gets intensified with lifestyle coaches and different obstacles of human interests. the members of wobz are active in the sound art and electronica genre. the vinyl release comes in a gatefold sleeve with cd and download code.

zoo lab is proud to present the first vinyl and for this, they have decided to focus on the italian duo dubfluss which have already released in labels like moan, serkal and bla bla music, yoruba grooves and more. -sumobooth- and -falser lullaby- reflect their typical minimal dub style, rich of synth, variations and vocals. two tracks are finely worked to have a great impact in the dancefloor. near them, there are two very characteristic remixers who have proposed their own versions of -sumobooth-: arado ( desolat-moon harbour ) with a strong techno version played around the world, from india to germany, and neverdogs (moan-music on), with a classic tech style version played during music on parties at amnesia ibiza.

vinyl only, 2nd tripmastaz, with raw house music

ahead of him releasing a full length album on mos in 2016, key label artist marcoantonio spaventi is teasing us with a three track prelude ep. spaventi hails from italy, but is based in amsterdam, and is someone who deals in misty, chicago referencing house sounds that are loaded up with a real sense of analogue jack. as well as on mos he releases on slow motion, most excellent ny and pizzico records, and in summer 2015 he put out a leftfield electro, italo, soundtrack and disco full length, viaggi, that showed he has great range in the studio.

inoue shirabe is no newcomer for those who have been following antinotes releases last year. with function spring / gravitation of acidtree, his third release on the parisian imprint, the okayamas producer delivers what may be his two most sophisticated tracks so far. with function spring, inoue shirabe continues to investigate the subtle equilibrium between opposite feelings of sadness and joy that he successfully reached on down into the black church, on his previous 12inch. this time, the japanese producer uses celestial elements (bells, an organ in the distance that we can hear punctually) to counterbalance the roughness of the rhythmical section, in order to plunge the listener into a profound state of meditation.

killer ep by these stockholm audio warriors who smash out their 3rd release on the heavy hitting tanstaafl. raw analogue beats for sweating basements around the world.

myles serge is a dj, musician and recording artist who has released on a vast swathe of labels that as well as metamorphic, also includes ferox, caduceus, knotweed, ilian tape, sweatshop, night drive music, thema, pushmaster disc and his own imprints (ms), re(form), space, (ms), and dosed recordings. he describes himself as a “reclusive perfectionist”, whose haunting production sound reflects influences from early detroit and chicago electronic music. but myles has a style of his own that blurs the lines between techno and house

300 copies, vinyl only, deep house by the berlin based max mulder & phil madeiski, who also released the -colony ep-.

we at la mission couldn’t be more excited about this. while you dance, think. think about who chooses how/where/with whom/when you are allowed to dance. and fight for that right.

this 2017 repress includes a code for free download as 320k mp3.
a dreamteam collaboration to start off criticals 2012 season from the hugely lauded sabre, who returns after a long break since his astonishing debut album of 2010, stray and halogenix. the perfect antidote to soothe us out of those january blues, simply gorgeous. critical coming on strong as always for the new year. keep em peeled.

new 2 track 12&#8243,,,, release from chunky for swamp 81 sublabel, 81. mastered at metropolis chunky returns to swamp 81 sublabel 81 with two fresh tracks of dubbed out weight. tolk to meh keeps things purely low-end with a minimal vibe and that signature 81 bass. track two who is that continues in a similar vein but takes things up a level and is primed to destroy any club soundsystem.

who is the mysterious ketsueki sakuru? a lone warrior from the far east or an already established artist working under another name? we here at giallo disco cannot be sure, but are confident in their ability to detonate dancefloors and provide the correct ambience for walkman-missions everywhere. sounding as if muslimgauze was a confirmed new-beat devotee or if unit black flight was from dubai by way of tokyo and specialized in videogame soundtracks. the blood meridian ep is music for desert wastelands and murderjunkies.

fusing forces from norway and ghana for crosstown rebels is djuma soundsystem & yann coppier feat. king ayisoba, with the expertly crafted anyimo a african infused techno beast of a track, featuring remixes from dj and producer ibadan kingpin jerome sydenham and the illusive johnny aux who brings his signature acid house sound. king ayisoba originates from ghana and has been sharing his modern day twist on kologo music all over the world. norwegian in origin, djuma soundsystem has been creating music and touring the world for over a decade on labels such as rebirth, eskimo and noir. the two creative forces have combined here to create a truly unique afro-infused head turner of track with king ayisoba superb ghanaian vocals. the legendary jerome sydenham delivers two floor-filling interpretation of the original, both vocal an ibadan dub, hike the tempo and hit the floor running. also, johnny aux delivers a rib rattling techno take on the original with devastating effect

max one copy per customer! >> limited version with handprinted sleeves 150 copies , 180gr vinyl
beautiful sonic sorcery from cristi cons and dewalta. elegant, warm, subtle but energetic music, creating a momentum of infinity. our favorit romanian artist known for his productions, his quality amphia label, a:rpia:r as well as his sit project with vlad caia teams up with dewalta from berlin who continues to refine his output on meander

the estonian master of dubstep and techno margus löve, who has operated so far under the monikers l-ow and 1derl&, has changed his creative direction into curvier areas and is presenting his fresh act exit safe mode as a proof. cool and ghastly darkness is still hoofing at your heels and ominous concrete thunder brings the skeletal techno to a new fertile ground. seeming coldness is concealing a hot-blooded pulse and a stealthily transporting psychedely. a dangerously alluring adventure has begun and it s calling for an exit from the numbing comfort zone.

acid house pioneer jaime read is one of the few uk artists who has had the dubious honour of being ripped off by chicago house royalty. never one to let this early setback hold him back, jaime has gone on to an illustrious career, producing great music since the early nineties, and more recently in collaboration with legendary uk deejay felix dickinson under the name l.h.a.s. inc (larry heard appreciation society) this 4 track solo ep sees him mastering a variety of styles. the opener is a dreamy emotional r&b number called is it real what u feel? which features a gorgeous vocal turn from jaime himself. kaanlile floats a sumptuous melodica line over some mellow electro influenced acid. deep cut rolling dreams has slinky piano, soaring house strings, more vocals and strong ecstasy vibes. finally, a night in shirley closes out the ep in a beautiful boogie influenced, relentless but mellow groove

who would have ever thought? the g man found himself a protege. after the odd 50+ solo releases offered through his phoenix g imprint mr.g has found himself a young producer that has a style that connects with the phoenix g output thus far. with g opening his bag of tricks to him, this cant go wrong. mysterious jayson wynters offers a 4 track record that is hazy, technoid and threads into deep territories every now and then.

though ronde music is a label gathering producers from various horizons, might it be ambient, noise, experimental or electroacoustic, they all have a common creed : the loop. jo created this locked groove label just one year ago, spreading extensively the sensitive patterns of artists such as vadim svoboda, sharp, antigone, edith progue, dscrd and cédric pigot & jow. a single 1 loop bar is to be repeated until harmonies free themselves, patterns are then stretching to the point where they merge into a psychoacoustic phenomenon. -wouldn t it be nice to have this dance last forever ?- ronde music asks all of those who haven t yet joined the round.

das duo aus wolverhampton, uk veröffentlicht mit vorliegender ep sein erstes neues material seit dem im jahr 2013 veröffentlichten debütalbum! der opener rayon überzeugt auf ganzer linie und erinnert etwas an die klassisch rohen house-tracks der frühen 90er jahre (kenny dope gonzalez, dj sneak, armand van helden. powerhouse trax for those who know! tipp!

strictly limited edition white vinyl
nils frahms late night tales sind eine hypnotische reise durch moderne und klassische komposition, experimentelle elektronik, jazz, dub-techno, filmmusik und soul, gleichsam verstörend wie betörend.

mikal is a producer who has made a name for himself by making stand out drum & bass tracks that have caught the attention of djs and listeners alike, he has released on a multitude of labels but it is metalheadz that are releasing his debut album.
the album is called ‘wilderness’ and it was very much worth the wait. a no nonsense statement of intent from the bristol based produced who has been quietly working away in his studio and is now ready to show the world his work, collaborations on the album come from chimpo, xtrah, break, riot and sophie barker.

with the release of this set of remixes figure head len faki reveals previously unseen shades of both the source material and his own musical identity. produced over the course of last year and originally never intended to come out, the hidden objects were to remain just that – hidden from anyone but faki himself who was privately developing a different side of his in the studio.

a1. gunnar hemmerling: phoenix asteroids (w+p l & g hemmerling) growling drum and bass patterns meet sharp chords in outer space. a2. lars hemmerling: freebirds in a cage (w+p lars hemmerling) back on the industrial trail,drones and noises here in a detroit approach. b1. lars & gunnar hemmerling: twin peaks (w+p l & g hemmerling) the titletrack offers a arm sounding journey with a mellow/lost melody that fits perfect the next afterhour. mastered by cem oral cut by stefan betke. the label is run by lars fenin aka fenin who has released on such imprints like: echocord, shitkatapult, meteosound , etc. and lars & gunnar hemmerling ,the dubby-twins who are known for their variety music journeys as dj team and their releases on eintakt, fullpanda etc.

spilt milk the label behind some of londons best parties step out with their 3rd release. this ep features four tracks skilfully put together by st. bernard, who gives us the 2 original cuts for the record.

deep house soldier from limerick drops 3 tunes that are slow, deep, & burning like a nicely rolled blunt. will appeal to the beatdown heads who get into the momentous track flow & maximum sound design. 3 tracks.

** repress 2016 ** two of the black madonnas most sought after early tracks return to circulation alongside one burning new jam on goodbye to all this, the latest release from stripped & chewed. drawn from the chicago labels 2012 compilation livin for the city ep, the piano dappled joy of *exodus* luxuriates across side a, spreading the good word with a pounding beat. *we dont need no music (thank you, rahaan)* from scrs004 takes another whirl around the dancefloor, its pinwheeling horns and infectious vocals pulling even wallflowers into the fray. and in case two remastered sure-shots arent enough, the brand new *who do you need* closes the record with a soulful thwack: half uplifting house, half blistering techno – all peak-time fodder. a fine addition to the black madonnas discography alongside records for argot, the nite owl diner, hometaping is killing music, and of course stripped & chewed.

2016 repress - further heat from gay marvine, brightening up every floor with powerful uplifting dj tools, the essence of the heat of the party. this time we have lost disco classic that just gets you burning, the funk of war given the perfect disco treatment, diana giving it to you like only she could (and later michael would, his exact staccato style), and luv tempo of factory favorites who later had a member who completed her phd in the cultural politics of the house music aesthetic in 1995. serious business for any floor!

following the debut ep from label owners julien sandre and konstress, blind box comes back with the second release, signed by utrecht-based hot young producer julian alexander. established member of the infamous slapfunk crew, this bad boy caught the attention of the biz with his powerful old school flavoured minimalism, by the likes of people like brawther and tristan da cunha who packed a whole ep for their dungeon meat. when julian meets blind box, his deepest side shows up. two stunning bass heavy journey and a full analogue locked groove on b3 to define the entrancing vibes you ll find out of the box. on the a2 track we got remix courtesy of one of the finest producers of the underground scene, samuel andre madsen aka s. a. m. (oscillat, delaphine, fathers & sons productions, concrete). the spiritual side of the amazing mandar project reshapes lizhi with a concentrated beam of deepness, surfing through some serious 909 beats. blind box team also got a treatment for all the way , adding to the b side the deep and groovy sound that marked them out so far. once again, a release you re definitely not gonna miss.

last known trajectory proudly presents the second album from visonia. opal s sunflowers continues the new- wave/cold wave theme combined with inimitable romanticism. limited pressing artwork by pavel javor

the white noise backdrop of modern life means that without some fine-tuning on our part, even established and progressive artists can become elusive on occasion. but since musical creativity involves a healthy drive to self-determination, and often a keen collaborative spirit, out of earshot doesn’t necessarily mean out of action.
certainly not in the case of junior boys, who’ve readied a new album, big black coat, via city slang. a strikingly energised and intuitively dynamic set that reconnects them to their techno roots without sacrificing their soulful pop nous or riding a revivalist wave, it’s also shaped by what jeremy greenspan and matt didemus have been doing in the five years since their last release.
the 180 gram vinyl release includes a download code.

whilst its neighbour has always taken the plaudits on the party front the steely city of sheffield has its own house history, with much of it residing in the warm buzzing darkness of the studio. its here that we find our latest robsoul rookie. a fresh name for the label, but a producer who is far from new to the game. tommy vicari jnr’s first release was pressed to the black gold and released back in 2004. since then there have been sporadic outings, but the last two years have seen a reinvigorated tommy roll out over ten new releases and play a huge part in putting sheffield s house music firmly back on the map. threshold of eternity sees tommy drop the northern grit to replace it with shimmering warmth and sunshine vibes across all four tracks. fidgeting rhythms, chopped samples and groove-heavy beats and bass are spliced together to create an essential feel-good release.